Looking back at the art scene in China, Wang Yigang stands out as one of the most representative artists who use abstract forms and artistic language for their creative style. Wang began his creative career of three decades with Western Cubism. After experimenting with the juxtaposition of figurative and pop art images, he slowly turned his focus to abstract expressions for the creation of dialogues in traditional Chinese landscapes. During each stage in his career, Wang continued to seek breakthroughs, while challenging himself to express diversity and innovation within his paintings.

Yunnan, an art group born in the 1980s, has a very close relationship with nature. Green is a common feature reflected in their works. I found and praised this feature of cultural value in contemporary urban life, and called it "green value" when promoting their works.

Each area or urban setting contains its own life, lineage, and memories that are inherently complex, overlapping, fragmented, chaotic, and even contradictory. This is because such memories originate from the desires, actions, pursuits, and creations of many individuals. When an area or city is uniformly reorganized through urban planning, then their memories are erased and all creativity is destroyed. What remains in culture is a barren desert. Therefore, this exhibition is not so much an attempt to exhibit realistic images of a “barren” but to enact a “pruning” of realistic representations. Perhaps, the featured artworks present a kind of “reality” found in Northeast contemporary art, or just one aspect of “reality”.

As one of rare galleries existing in Beijing for ten years, Soka Art Beijing witnessed the growth of art market as well as the great change of Chinese art in the ten years. In this exhibition, Commemoration ---10th Anniversary of Soka Art Beijing, many remarkable works will be shown in the two parts, Memories of the Past and Windows to the Future.

Among the artists of exhibition, Xiao Yu and Yang Maoyuan are the representatives of modern artists born in 1960s; Shi Guowei, Xiang Yang and Zhang Jiebai share the same experience of abroad art career; Chen Jiao, Li Chao, Shang Yixin, Zhong Jinpei and Zhao Yiqian represent the emerging young artists. With the exhibition theme of “Micro-life” and special exhibition space of Soka Art Center, their works concentrate on display of personal view and latest art works concerning the relationship and meaning of art and life, as well as the response to the context of “Micro-life” with new constructive approaches.

We may say “Fabricator” is an extensive colorful exhibition. Of course the works on this exhibition may cause some unsolvable questions, but these artists with distinctive styles just prove there are the main bodies of the fabricator. Through exploration for the change of the different painting and sculpture languages, the artists are to present the value of Chinese modern art.