Soka Art Taipei is pleased to present The Daily, Reimagined, a group exhibition featuring three Taiwanese artists—Yen-Liang Lin, Hsu Hom, and Gifu Chen—running from Saturday, September 12 through Saturday, October 17, 2026.

​Soka Art is pleased to announce Haze of Memories, a new solo exhibition by Wang Xiaoshuang, opening on August 22, 2026, at Soka Art Beijing. This marks the artist’s third solo exhibition with Soka Art, following Rhapsody of Life (2023) and Love in Silence (2024), and traces the evolution of her artistic practice and the transformation of her ideas over the past two years. The exhibition will feature fourteen new works and remain on view through October 3, 2026.

In his solo exhibition Garden of Phantom Memories, artist Shih Pin Hsi unfolds the exhibition through three perspectives: “Borges’ Garden,” “The Garden at the Beginning of Life,” and “Still Becoming...,” inviting viewers to explore the many forms and meanings a garden can embody.

Garden of Phantom Memories does not attempt to offer answers to regret or loss. Instead, the garden Shih creates resembles a psychological space—a place where unfinished lives, destinations never reached, and memories of land left behind by time continue to grow in its depths.

Through his works, Shih creates a place for unfinished stories to rest. May everyone who enters this garden, somewhere along its winding paths, unexpectedly encounter a story of their own.

TAIPEI, TAIWAN — Soka Art · Taipei is pleased to present a dual exhibition featuring Chinese artist Yan Zhancheng and Japanese artist Tatsuya Yokosaka, on view from July 25 through September 5, 2026. Spanning two floors of the gallery, the exhibition highlights the distinct visual practices of both artists.
The 1st Floor presents Yan Zhancheng’s psychological and memory-driven paintings, while the 3rd Floor features Tatsuya Yokosaka’s immersive imagery informed by anime culture and subcultural iconography. Though rooted in differing cultural backgrounds and stylistic approaches, both artists construct visual worlds from personal experience, prompting viewers to recalibrate the relationships between memory, perception, and imagination.