This academic exhibition will carry out a complete inquiry into contemporary art through four facets. First, it will approach the philosophical issues of modernity, beginning with Baudelaire’s duality of modern life between the ephemeral and the eternal to discuss whether or not “nature” can be the medium that links between the limited and the limitless.

Sang’s work transported the water from the major rivers of China, such as Changjiang River, Mudanjiang, Yarlung Zangbo River and Qiantang River, then he painted on the cloth silk with hand-made mineral substance. All materials of his work came from different geography spaces, he wants to express the modern generation’s understanding of nature and space in an even more macroscopic vision. Each area of grays on his work seems to overlap like monochromatic membrane. By deploying space across the paintings Sang marked his gestured and lyrical abstractions.